A K-drama without an OST—like a red bean bun without red beans

In his welcome remarks, Korean Ambassador Lee Sang-hwa likened K-drama without music to a red bean bun without beans. A travesty is what it is. Imagine biting into a red bean bun only to find it empty—tragic, right? Disappointing. In the same way, K-dramas without their iconic soundtracks are unthinkable, for they lack that cinematic magic that makes them inexplicably irresistible. The music does more than just accompany scenes; it elevates the drama, making every romantic glance and tearful goodbye much more affecting, and every suspenseful or action-filled sequence all the more thrilling. It’s this emotional resonance that has made K-dramas so impactful in the Philippines.

K-dramas have truly struck a chord among Filipino audiences. This is not at all surprising for, like Koreans, Filipinos put family first, especially the young, the elderly, and the female members of our drama-watching tribe. We have a penchant for melodrama that pulls at the heartstrings and share a deep fondness for good stories, twists and ironies, episode cliffhangers, and of course, unforgettable soundtracks.

The writers—gods of fiction—certainly know how to keep viewers on the edge of their seats, tissues in hand, producing stories that rarely disappoint. Composers and artists won’t be outdone and strive to create the ideal accompanying soundtracks which they know play a central role by heightening the viewing experience, making it more relatable and profound. Since Filipinos also have a reputation for musical artistry and appreciation, it is natural for us to see our own lives and values mirrored in these shows.

Fortunately, the Korean Wave, or Hallyu, has been sweeping across the nation for some time now, bringing with it not just dramas and music, but a whole lifestyle. From K-beauty products to Korean cuisine, Filipinos have eagerly embraced all things Korean. This cultural exchange isn’t one-sided either; Koreans are increasingly appreciating Filipino culture, with its vibrant music scene, delicious food, and warm hospitality. It’s a beautiful example of how entertainment can pave the way for deeper, more meaningful people-to-people connections. Collaborations between our artists are not only welcome but even encouraged. This concert demonstrated what we can achieve by working together.

The OST Symphony concert was the ultimate treat for K-drama fans, featuring the Philippines’ very own Philippine Philharmonic Orchestra (PPO). Under the baton of the multi-hyphenated Maestro Herminigildo Ranera, the PPO, together with guest concertmaster Kim Mijung, serenaded the audience with iconic soundtracks from beloved K-dramas like Jewel in the Palace, Crash Landing on You, Love in the Moonlight, My Love from the Star, and Extraordinary Attorney Woo.

Filipino stars Julie Ann San Jose and Zephanie Dimaranan brought the house down with their heartfelt performances. Julie Ann, famed for her English version of You Are My Everything from Descendants of the Sun, and Zephanie, known for her hit Nagbago ang Daigdig (“The World Changed”) from the GMA teleserye My Guardian Alien, proved that Filipino talent can perfectly harmonize with Korean pop culture.

Not to be outdone, Korean singer Gaho, whose voice has defined OSTs for Itaewon Class, King the Land, and Start-Up, brought the house down with his mini-concert, getting his screaming fans involved and on their feet throughout his powerful performance.

The PPO pulled off a surprise of its own by playing the crowd favorite I Will Go to You Like the First Snow from Goblin only in the encore.

The event wasn’t just about music; it was a heartfelt tribute to the 75 years of diplomatic relations between the Philippines and the Republic of Korea. While the world keeps changing at a dizzying pace, the bond between these two nations remains as strong as ever, especially through shared cultural experiences.

The OST Symphony concert is part of a broader celebration of Korea-Philippines relations, featuring other recent highlights like the Korea Festivals in Manila and Cebu. These events, backed by the National Commission for Culture and the Arts and the Cultural Center of the Philippines, emphasize ongoing partnership and genuine mutual recognition of talent.

As the final notes of the evening echoed through the theater, it was clear that this concert was more than just a musical performance. It was an ode to the beauty of music, to the wonder of a deep and enduring friendship, to life itself. As unforgettable as the show was, it stood as a reminder that while dramas may end, hearing the music that accompanied memorable scenes will constantly relive the moments that made us cry, laugh, or yell out in anger.

And in the grand symphony of international relations, K-dramas and their iconic OSTs have played a pivotal role in fostering a more resilient connection between Korea and the Philippines. If the rapturous applause and tearful smiles at the MET were any indication, this is one relationship that will only grow stronger with each passing episode.

The night was a resounding success, leaving fans eagerly anticipating the next cultural exchange, proving once again that great music and cherished friendships are indeed a match made in heaven, like red beans and a red bean bun.