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Woven legacies in fashion and dance

By CHRISTINE DAYRIT, The Philippine STAR Published Jul 28, 2024 5:01 am

As the lights dimmed and a hush descended over Manila Polo Club, vivid textiles began to ripple gently with the rhythm of forceful music. Delicate weavings and intricate designs were displayed, causing the audience to hold their breath in anticipation. This extraordinary evening was more than just a fundraiser; it was Pamana: Woven Legacies in Fashion and Dance, a captivating celebration of Filipino culture and heritage.

The recent event marked the 20th anniversary of the Filipino Heritage Festival Inc. (FHFI), which, in collaboration with ArteFino, aimed to support the developmental programs of the HeArteFino Foundation.

Vibrant celebration of Filipino artisans: The ArteFino Festival promotes cultural identity, creativity, and passion.

Armita Rufino, president of FHFI, opened the evening with a poignant reflection on the proclamation made by former President Gloria Macapagal-Arroyo 20 years ago, declaring May as National Heritage Month. This proclamation has since inspired countless organizations and individuals to find innovative ways to highlight and preserve Filipino heritage.

Reinventing Pinoy fashion: Jo Ann Bitagcol tends to her craft.

ArteFino’s Maritess Pineda, happy about the success of the event, said that in continuation of the Pamana theme, the next ArteFino event will be held from Aug. 22 to 25 at The Fifth at Rockwell.

Designed to leave an indelible mark, Pamana wove together dance, music, fashion, and craft into a mesmerizing spectacle. The concept script, written by the late Floy Quintos, a renowned playwright and stage director, breathed life into this vision.

Blending sustainability and tradition: Ditta Sandico’s designs use Banaka fabric woven by the Mangyans.

Choreography and creative direction were masterfully handled by CCP awardee Gener Caringal. Many thanks to Maritoni Tordesillas Rufino, owner of Dance Space, who worked tirelessly to ensure the flow of dance and music. Jinno Rufino was the very charming emcee of the show and Codie Vargas, who is part of the five founders of HeArteFino.

Captivating: Lulu Tan Gan saves the piña

The evening’s program was divided into eight segments, beginning with an opening performance by the University of the East Silanganan Dance Troupe. This segment featured accessories by Arnel Papa, original music by Jessie Lucas, and indigenous textiles by Bayo Atelier. As the night unfolded, Pahingahan showcased pieces by Maison Métisse, Tagpi, Camille Villanueva, and Trude Lizares, each design resonating with cultural significance.

Maison Métisse, which was awarded Best Booth last year, is committed to sustainable luxury and exquisite craftsmanship.

A poignant ballet interlude to Luzon by the Danspace Ballet School, choreographed by Melvin Martinez and set to Levi Celerio’s original music performed by the Philippine Philharmonic Orchestra, left the audience in awe. The ballet dancers, draped in flowing fabrics that mirrored the grace and fluidity of their movements, embodied the rich traditions and stories of Luzon, bringing to life the soul of the island through their ethereal performance.

Visionary creative director: Niño Franco breathes new life into indigenous textiles.

The Kaswal na Kasuotan segment starred designs by Edited Limited X Adante, NIñOFranco, WYC (Wear Your Culture), and Jo Ann Bitagcol’s crafts, each piece a testament to the artisans’ skill and creativity. Models strutted down the runway, showcasing contemporary yet traditionally rooted pieces that drew gasps and applause from the captivated audience. The garments, adorned with intricate patterns and handwoven textiles, highlighted the seamless blend of modern fashion with historical craftsmanship.

Patis Tesoro’s designs reflect the Filipino identity in dress.

Danspace Ballet School’s Maskara followed, a fashion and music tribute to the Visayas by Patis Tesoro, also choreographed by Martinez and featuring an original score by Kodo Irodori. This segment was a visual feast, with dancers adorned in vibrant masks and costumes that materialized the vibrant festivals and cultural wealth of the Visayan islands. The music evoked a sense of festivity and pride with its harmonious blend of traditional instruments and modern beats.

Rhett Eala weaves intricate designs from a rich tapestry of textiles and inspirations.

Postura showcased works by Steph Verano, Lulu Tan-Gan, Ditta Sandico, and Jor-el Espina, each design narrating a story of tradition and innovation. The models, poised and elegant, wore pieces that showed care in craft and artistic vision. From flowing gowns to structured ensembles, every outfit was a masterpiece, bestowing reverence upon the legacy of Filipino fashion while breaking past the boundaries of contemporary design.

Steph Verano’s craft is a passionate endeavor to keep our heritage alive and ever-evolving.

The evening’s highlight was the Sarimanok ballet interlude, performed by Danspace Ballet School. This tribute to the cultural trademarks of Mindanao featured music by Jessie Lucas and choreography by Martinez, encapsulating the spirit of the region. The performance was a blend of traditional dance and contemporary ballet, capturing in motion the beauty and the strong-willed character of the cultural roots of the people of Mindanao; that is, a poignant tribute paid to the resilience and beauty of its cultural heritage by the dancers who were clad in vibrant costumes inspired by the Sarimanok, a mythical bird.

Gabby Almazan meticulously crafts contemporary Filipino clothing using on-hand textiles from local weavers.

The event concluded with an archival collection by Rhett Eala and Patis Tesoro, sourced from the private collection of Mita Rufino. This final segment was a nostalgic journey through the evolution of Filipino fashion, featuring iconic pieces that defined the nation’s sartorial history. Every piece of clothing, representing the diverse cultural weave of the Philippines, was warmly embraced and respected by the spectators, concluding the evening with heartfelt triumph.

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The creators of ArteFino—Cedie Lopez-Vargas, Marimel Francisco, Maritess Pineda, Mita Rufino, and Susie Quiros—highlighted the alignment of FHFI’s purpose with ArteFino’s goal of promoting recognition and love for Filipino heritage. The proceeds from Pamana supported the developmental programs of HeArteFino, nurturing artist-entrepreneurs and artisan communities.

A beacon in the Philippine fashion industry: Jor-el Espina’s work highlights local weavers.

Pamana featured 16 designers from ArteFino’s roster, representing the woven legacies of Luzon, Visayas, Mindanao, and NCR: Bayo Atelier, Camille Villanueva, Ditta Sandico, Edited Limited x Adante, Jo Ann Bitagcol, Jor-el Espina, Lulu Tan Gan, Maison Métisse, Niñofranco, Patis Tesoro, Patty Eustaquio x Bayo Atelier for HeArteFino, Rhett Eala, Steph Verano, Tagpi, Trude Lizares, and WYC (Wear Your Culture) took center stage. The show also highlighted accessories by Aishe, Arnel Papa, Earl Gariando, Kathy & Kathy Bespoke, and Lakat, with performances by the University of the East Silanganan Dance Troupe and Danspace Ballet School.

Ode to Philippine craftsmanship: Trude Lizares’ creations blend classic silhouettes with indigenous fabrics.

The night concluded not just as a fundraiser but as a prelude to ArteFino’s annual festival in August. This movement celebrated the artistry and craft of Filipino ingenuity and culture, weaving stories of resilience and heritage through every thread and tale. The Pamana event will be remembered not only by its grandiosity but also as a heartfelt tribute to the Filipino heritage.